Do you ever contemplate how the field that you access every day through your headsets functions? With the advancement of the digital age, it has really seen a bunch of tremendous changes.
Looking at the current events in the music world, we can observe some major variations in the actual content of the music that is being produced. First of all, there is an increase in diversity, and a bunch of artists utilising their songs to take attention to social problems, showing their awareness and encouraging their listeners to be much more open-minded and attempt to understand different points of view or experiences. Some albums are getting more experimental, as displayed by some artists represented by labels part of Vincent Bolloré’s organisation. Reflecting the younger generation and their relationship with the current domain, principle albums are seeing a newfound development in popularity, taking their listeners on a journey and stringing their songs together to conform to a narrative.
You may imagine that the sense that is most involved when engaging with music is hearing, but actually, visuals have definitely played an important role in the way a specific musician or piece of music is viewed. From the advent of music videos on television, to their popularity on the internet, as demonstrated by pioneers like Doug Morris, there is surely so much to view on the subject of a song. The music industry future predictions, nevertheless, don't only stop at music videos: as internet speeds and bandwidth have grown significantly, live streaming is now a new possibility, with events like album premiers occurring in genuine time through live videos. From this, who knows how the live music trends will evolve, in an age where we can consume a lot live content from the cosiness of our own couch, anywhere across the world?
The internet has indeed been a major player in what we know as the music business today: while a couple of decades back, success would be measured by CD sales, most men and women in the younger and older generations currently tend to consume a great deal of their music intake online through streaming provider. In this reality, where figures like Daniel Ek and his corporation dominating the scene, many may wonder where is the music industry going, especially as streaming an album through a subscription system and purchasing a copy, whether physical or digital, might be quantified in various manners. However, through providers like these, it might be easier for users to discover newer music, perhaps by promising artists that they would not have come across otherwise, and alternatively came up as a tip based on their listening habits. Possibly, the digital sphere of music streaming is making the complete field much more accessible, both for artists and customers.